Vestiges

How about "Vestiges" for a line of jewelry I was originally planning to call "Relics"?

Big Hollow Beads

I'm taking an online class from Christine Dumont at All Over Creation who also does Voila! She has done a great job with the videos, and the forum discussions with other participants have been terrific.  We are all doing the class at the same time so we can learn from each other.  Here is my first big hollow bead:

It is about 34mm or 1 and 1/3 inches

My Brilliant Sister

My sister is a wonderful lampwork artist and she's also very smart.  She came up with this terrific idea for holding cords and ribbons, and I'm using it to hold chains.  It's a pants hanger!  The arms swing out making it very easy to put items on or take them off.

 

Here is a link to my sister's Artfire store:
http://www.artfire.com/users/Laurel_Mountain_Glass

Faux Metal Necklace

I'm working on a line of jewelry (jewellery for Canadians and others) featuring distressed faux metal and other ancient-looking materials like faux stone and ivory.  I was planning to call it "Relics" but an artist recently featured on Polymer Clay Daily is already using that name so I'm searching for another title.  Here is a prototype for a necklace - the top layer of "copper" is peeled back to reveal woven strips of faux silver and brass.  The copper chain is real but everything else including the screws is clay. 

Managing Color

I had to drop out of the Thing a Day project because of going out of town and then returning to find water in my basement, but enough of that.......

I've tried various ways to keep track of color recipes and mixed clay, but I haven't had an integrated system that works consistently.  I've gotten pretty good at forcing myself to slow down and record recipes for the colors I mix on sample chips, as you can see from the photo.  The recipes are written on the back, and the loose chips make it possible to move them around, overlap them and see what colors look good together.  I've also tried gluing color chips on individual index cards, but they were hard to keep organized and took up a lot of room. My method for organizing leftover clay was to write the brand and the recipe on a piece of index card, put that with the clay, and wrap it all in plastic wrap.  That kind of works, but it means I have to write the recipe all over again, and a couple of times the card got saturated with plastisizer and the ink ran.  No idea how I made those pretty colors.  So when Carolyn Good released the tutorial for her Clay Color System,  I purchased it immediately.  She is one of the most prolific producers of quality clay products that I know of, so I figured she must have a good system.  She does.

Her clearly written and illustrated tutorial explains her system for organizing recipes and storing clay and includes cards to print out for recipes and color chips.  In addition it provides over 50 recipes including her favorite color base mixes and the Pantone Spring 2011 colors.  There are also descriptions of how she approaches blends and tries out color combinations.  I found the system to be very logical, easy to implement and better than the methods I have tried before.  (I think I will continue to make my little color squares in addition to the color chips in Carolyn's system - they take hardly any more clay or additional time; I can just write the "code" on the back instead of the recipe; and I do like to dump them on the table and play with them.)  From now on I will have no excuse for finding packages of mystery colors in my clay drawer or wondering how the heck I made that great color.

For anyone who mixes a lot of custom colors and stores the clay or wants to be able to repeat the recipe, I highly recommend this tutorial and system.  You can find it by following these links to Artfire  or Etsy.

Thing a Day- Feb 10, 2011

My thing for today was to go to the bank and open up checking accounts and a credit card for my clay business.  When they issue the credit card, I can get a business account with PayPal and when that is established, I can open up my ArtFire account.

Thing a Day- Feb 9, 2011

Today I discovered Kato Polyclay's Facebook page (click on the name to go there).  Donna Kato and Tony Aquino are thinking of adding some more colors to their line and they are looking for suggestions.

Also, Donna posted some new color formulas using Kato Pearl, Translucent and the Concentrate colors.  So far she has posted two sets.  I decided to try one of the red colors and made a sample square plus some triangular pieces which will be made into earrings.  This color is 1 part Pearl, 1 part Translucent and 1/2 part Red Concentrate.

The one thing that has kept me from switching entirely to Kato Clay is the translucent.  I did some tests a couple of years ago and Kato was the least translucent of the major brands and it had a yellowish cast.  Premo with bleach was the best.  My Kato translucent is pretty old so I'm going to get some of the most recent translucent to see if the reformulations have made any difference.  And I may try this formula again without the translucent to see the difference.

Sample of mica shift